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Veit Stoß : ウィキペディア英語版
Veit Stoss

Veit Stoss (also: ''Veit Stoß''; (ポーランド語:Wit Stwosz); before 1450 - about 20 September 1533) was a leading German sculptor, mostly in wood, whose career covered the transition between the late Gothic and the Northern Renaissance. His style emphasized pathos and emotion, helped by his virtuoso carving of billowing drapery; it has been called "late Gothic Baroque".〔Snyder, 309〕 He had a large workshop and in addition to his own works there are a number by pupils. He is best known for the altarpiece in St. Mary's Basilica in Kraków, Poland.
==Life==
Stoss was born at Horb am Neckar before 1450; his exact date of birth is unknown though it may have been in 1447. Nothing about his life is known for certain before 1473 when he moved to Nuremberg in Franconia and married Barbara Hertz. Their eldest son Andreas was born there before 1477, when Stoss moved to Kraków, the royal capital of Poland, where he was commissioned to produce the enormous polychrome wooden Altar of Veit Stoss (Ołtarz Wita Stwosza) at St Mary's Church in Kraków. His son Stanisław was also a sculptor. He lived and worked there for the next twenty years; his name, polonized as Wit Stwosz.〔(Życie i twórczość Wita Stwosza (Life and Art of Wit Stwosz.) ) Jagiellonian University  〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Veit Stoss」の詳細全文を読む



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